Mimi Jung

Mimi Jung redefines the traditional practice of weaving, experimenting with intricate new techniques while exploring her own resonant personal experiences. Jung breaks from the conventions of weaving to create her own visual language.

Through the spectrum of works originating from the loom, Jung investigates the way people continuously negotiate space within and between themselves. Her work examines multiple dimensions of identity and self-preservation, particularly relating to private and public self-representation and the ways these depictions are manifested through social and cultural mores. Her works play with the expansion or narrowing of space, placing great emphasis on the space existing between the warp and the weft. Her limning of space is reflexive, visible to those who are predisposed to see it.

Jung tests the limitations of the traditional grid format, breaking the conventions of the loom by giving the works an almost kinetic potential. The synthesis of the three-dimensional organic forms with the linearity of the latticed background, in combination with the tonal variations in the natural fibres used, creates the impression of motion. Although fixed, Jung’s forms are never static as their voids and translucencies encourage optical movement through and around them. The 'Pareidolia' series, cued by their titles, invites viewers to impose their perceptions onto the works. And in doing so, investigate why and how we perceive what is in front of us.