Sargy Mann: Light and Space
Between 1960 and 2015 Sargy Mann created a hugely diverse body of work, always pushing the limits of his experience and challenging many assumptions about the artistic brain and the visual mind. His quest was always to make a two dimensional pattern that conveyed a believable light and space. In 1986, Mann was introduced to Christopher Burness, founder of Cadogan Contemporary. His first solo exhibition at Cadogan in 1987 was a success and turned out to be the first of eighteen solo exhibitions with the gallery. The ongoing relationship between Sargy and Christopher Burness helped define both Mann's career and Cadogan Contemporary's aesthetic identity. The mutual trust, respect and friendship between the artist and the dealer was rewarded by commercial success and an ever-growing number of avid collectors.
From 1973 until his final exhibition of new work at the gallery in 2015, Mann’s vision gradually deteriorated until in 2005 he permanently lost sight in both eyes. Far from being the end of anything, this new change in his experience led to some of his most personal and experimental work. Sargy had always used his changing eyesight as a challenge to himself, to continuously evolve, and this exhibition shows the constant exploration of the notions of light and space in his work.
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Figures by a river, 2014-15oil on canvas198cm x 183cm (78" x 72")
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Sargy Mann, One Tree Hill, 1978
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Sargy Mann, Frances reading at Lyndhurst Grove, c. 1988
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Sargy Mann, Identical Twins, 2007
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The Hotel Bar, Cadaques, 2005oil on canvas94cm x 102cm x (37" x 40")
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Sargy Mann, Stepladder by the River, c. 1992
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Sargy Mann, The Yellow Cabin Umbrian Morning, mid 2000s
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Sun and Heat, Kerala, 2000oil on canvas76cm x 102cm (30" x 40")
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Sargy Mann, Lemmons bathroom window, c. 1971
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Sargy Mann, Regents Park, 1970
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Sargy Mann, Regents Park Sunset (massed clouds), 1967
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Sargy Mann, Swings at Iken, 1976
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Sargy Mann, Garden Wall in Sun, 1968