Group Exhibition 2026

  • Cadogan Gallery is delighted to present a group exhibition, on view from 19 February to 21 March. Featuring work by:... Cadogan Gallery is delighted to present a group exhibition, on view from 19 February to 21 March. Featuring work by:...
    Cadogan Gallery is delighted to present a group exhibition, on view from 19 February to 21 March. 
    Featuring work by:
     
    Kaï-Chun Chang
    Kristin Nordhøy
    Tycjan Knut
    Sybren Vanoverberghe
    Deborah Tarr
    Sam Lock
    Richard Zinon
    Edoardo Dionea Cicconi
    Andreas Diaz Andersson.
     
    Please join us for the preview on 19 February.
     
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  • Kaï-Chun Chang
  • Born in Taipei in 1989, Kai-Chun Chang lives and works in Paris. Trained at the École Nationale Supérieure des Beaux-Arts... Born in Taipei in 1989, Kai-Chun Chang lives and works in Paris. Trained at the École Nationale Supérieure des Beaux-Arts...

    Born in Taipei in 1989, Kai-Chun Chang lives and works in Paris. Trained at the École Nationale Supérieure des Beaux-Arts de Paris (2018), his practice spans painting, monotype, collage, photography, and sculpture. Drawing from traditional Chinese ink painting, Chang explores light as a metaphysical and tactile presence, revealing fragile, spiritual landscapes where illumination emerges quietly from darkness.
    • Ces lumières lointaines se répètent No43 , 2026 acrylic on canvas 162cm x 130cm (64” x 51”)
      Ces lumières lointaines se répètent No43 , 2026
      acrylic on canvas
      162cm x 130cm (64” x 51”)
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    • Dots no.15, 2026 acrylic on canvas 61cm x 50cm (24" x 20")
      Dots no.15, 2026
      acrylic on canvas
      61cm x 50cm (24" x 20")
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    • Dots no.14, 2026 acrylic on canvas 61cm x 50cm (24" x 20")
      Dots no.14, 2026
      acrylic on canvas
      61cm x 50cm (24" x 20")
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  • Kristin Nordhøy
  • Repetition lies at the core of Kristin Nordhøy’s practice. In her charcoal works, strict yet playful moiré patterns emerge from... Repetition lies at the core of Kristin Nordhøy’s practice. In her charcoal works, strict yet playful moiré patterns emerge from...

    Repetition lies at the core of Kristin Nordhøy’s practice. In her charcoal works, strict yet playful moiré patterns emerge from unruly black dust through a painstaking, disciplined process. These soft-spoken, almost introverted drawings and paintings operate at the boundary between stability and instability, finding harmony within unrefined chaos. Though composed of a dizzying number of lines and underpinned by astonishing technical prowess, the works emanate a quiet calmness, speaking to pragmatic mathematical interests, intense concentration, and meticulous manual dexterity.

     
    • Transparent No IV, 2025 oil on linen 82cm x 80cm (32" x 31")
      Transparent No IV, 2025
      oil on linen
      82cm x 80cm (32" x 31")
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    • Orange B No III / Resonant, 2025 oil on canvas 82cm x 80cm (32" x 31")
      Orange B No III / Resonant, 2025
      oil on canvas
      82cm x 80cm (32" x 31")
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    • Charcoal No XI / Resonant , 2025 charcoal and oil on linen 175cm x 170cm (69” x 67”)
      Charcoal No XI / Resonant , 2025
      charcoal and oil on linen
      175cm x 170cm (69” x 67”)
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    • Charcoal No IX / Resonant, 2025 charcoal and oil on linen 82cm x 80cm (32" x 31")
      Charcoal No IX / Resonant, 2025
      charcoal and oil on linen
      82cm x 80cm (32" x 31")
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    • Transparent No V, 2025 oil on canvas 82cm x 80cm (32" x 31")
      Transparent No V, 2025
      oil on canvas
      82cm x 80cm (32" x 31")
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    • 06
    • Charcoal No II / Interlace, 2025 charcoal and oil on linen 120cm x 118cm (47" x 46")
      Charcoal No II / Interlace, 2025
      charcoal and oil on linen
      120cm x 118cm (47" x 46")
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    • Asphalt black No I / Resonant, 2025 oil on canvas 82cm x 80cm (32" x 31")
      Asphalt black No I / Resonant, 2025
      oil on canvas
      82cm x 80cm (32" x 31")
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  • Tycjan Knut
  • Tycjan Knut creates subtle abstractions. Using delicate tonal differences and neutral colours, his works have an effect that verges on... Tycjan Knut creates subtle abstractions. Using delicate tonal differences and neutral colours, his works have an effect that verges on...
    Tycjan Knut creates subtle abstractions. Using delicate tonal differences and neutral colours, his works have an effect that verges on optical illusion. Knut’s work takes inspiration from the geometric abstract art of the twentieth century with a deep academic interest in unknown abstract ‘masters’.  His work resonates with the echo of this tradition but extends beyond the trend, his works freed from the constraints of formula.
    • pl 40, 2025 acrylic on canvas 120cm x 100cm (48" × 40")
      pl 40, 2025
      acrylic on canvas
      120cm x 100cm (48" × 40")
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    • pl 24, 2025 acrylic on canvas 120cm x 100cm (48" × 40")
      pl 24, 2025
      acrylic on canvas
      120cm x 100cm (48" × 40")
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    • pl 4, 2025 acrylic on canvas 120cm x 100cm (48" × 40")
      pl 4, 2025
      acrylic on canvas
      120cm x 100cm (48" × 40")
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    • pl 22, 2025 acrylic on canvas 150cm x 120cm (60" × 48")
      pl 22, 2025
      acrylic on canvas
      150cm x 120cm (60" × 48")
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    • pl 7, 2025 acrylic on canvas 80cm x 60cm (32" × 24")
      pl 7, 2025
      acrylic on canvas
      80cm x 60cm (32" × 24")
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    • pl 6, 2025 acrylic on canvas 80cm x 60cm (32" × 24")
      pl 6, 2025
      acrylic on canvas
      80cm x 60cm (32" × 24")
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    • pl 42, 2025 acrylic on canvas 150cm x 120cm (60" × 48")
      pl 42, 2025
      acrylic on canvas
      150cm x 120cm (60" × 48")
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    • pl 12, 2025 acrylic on canvas 100cm x 80cm (39" x 31")
      pl 12, 2025
      acrylic on canvas
      100cm x 80cm (39" x 31")
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    • pl 25, 2025 acrylic on canvas 120cm x 100cm (48" × 40")
      pl 25, 2025
      acrylic on canvas
      120cm x 100cm (48" × 40")
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    • pl 41, 2025 acrylic on canvas 120cm x 100cm (48" × 40")
      pl 41, 2025
      acrylic on canvas
      120cm x 100cm (48" × 40")
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  • Sybren Vanoverberghe
  • Sybren Vanoverberghe engages with photography, employing diverse printing techniques, installations, structures, and discovered objects in his artistic practice. His creations... Sybren Vanoverberghe engages with photography, employing diverse printing techniques, installations, structures, and discovered objects in his artistic practice. His creations...
    Sybren Vanoverberghe engages with photography, employing diverse printing techniques, installations, structures, and discovered objects in his artistic practice. His creations capture landscapes and their remnants in a perpetual state of transformation, revealing the intricate interplay between place and time. Through his works, Vanoverberghe explores the convergence of history, nature, and heritage, presenting viewers with a visual dialogue that spans both the historical ruins and commonplace locales. His art challenges established notions by juxtaposing present-day structures with what might be interpreted as artifacts from an envisioned future.
    • Wall X, 2025 archival pigment print on cotton paper, acrylic glass and cardboard 38cm x 44cm (15"x17")
      Wall X, 2025
      archival pigment print on cotton paper, acrylic glass and cardboard
      38cm x 44cm (15"x17")
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    • Abstract I, 2025 archival pigment print 140cm x 105cm (55" x 41")
      Abstract I, 2025
      archival pigment print
      140cm x 105cm (55" x 41")
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    • Cloth V, 2025 archival pigment print on cotton paper, acrylic glass and cardboard 38cm x 44cm (15"x17")
      Cloth V, 2025
      archival pigment print on cotton paper, acrylic glass and cardboard
      38cm x 44cm (15"x17")
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    • Plant VII (Negative), 2025 archival pigment print on cotton paper, acrylic glass and cardboard 38cm x 44cm (15"x17")
      Plant VII (Negative), 2025
      archival pigment print on cotton paper, acrylic glass and cardboard
      38cm x 44cm (15"x17")
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  • Deborah Tarr
  • Deborah Tarr describes the process of painting as a ‘conundrum’ – a constant cycle of decision making and self-discipline. In... Deborah Tarr describes the process of painting as a ‘conundrum’ – a constant cycle of decision making and self-discipline. In...
    Deborah Tarr describes the process of painting as a ‘conundrum’ – a constant cycle of decision making and self-discipline. In her works, removal and restraint are often more important than adding the next thing. Her paintings are tangible and conceptual, but even in the most reductive and abstract paintings there is an organic, living line. With so much thought put into each brushstroke, finding this balance between abstraction and figuration is what Tarr does best.
    • Journeyman, 2023 found mixed media 124cm x 124cm x 13cm (49" x 49" x 5")
      Journeyman, 2023
      found mixed media
      124cm x 124cm x 13cm (49" x 49" x 5")
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    • Sentinel, 2025 oil on linen artist frame 120cm x 150cm (47" x 59")
      Sentinel, 2025
      oil on linen
      artist frame
      120cm x 150cm (47" x 59")
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    • Joshua Tree, oil on canvas 126cm x 125cm (49" x 49")
      Joshua Tree,
      oil on canvas
      126cm x 125cm (49" x 49")
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    • Field Yellow oil on canvas 35cm x 35cm (14" x 14")
      Field Yellow
      oil on canvas
      35cm x 35cm (14" x 14")
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  • Sam Lock
  • Sam Lock’s work marks a perpetual process of becoming. Reflecting on the materiality of presence and absence, Lock’s paintings navigate... Sam Lock’s work marks a perpetual process of becoming. Reflecting on the materiality of presence and absence, Lock’s paintings navigate...
    Sam Lock’s work marks a perpetual process of becoming. Reflecting on the materiality of presence and absence, Lock’s paintings navigate the intangible and ever fleeting nature of time and memory, in which clarity gives way to ambiguity. The concept of time has been one of Lock’s primary themes in painting - time to create; history and memory; and traces of other times and places. This ‘poetry of yesterday’ is sensed in all of his paintings. These are not paintings that reveal themselves at a glimpse - even to the artist himself. Lock’s canvases trace the memory of reciprocal exchange between artist and medium, where painted surfaces evolve from the artists’ brush strokes in ways that cannot be controlled or anticipated.
    • The far away, 2025 mixed media on canvas 160cm x 250cm (63" x 98")
      The far away, 2025
      mixed media on canvas
      160cm x 250cm (63" x 98")
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    • The way in, 2025 mixed media on canvas 140cm x 230cm (55" x 91")
      The way in, 2025
      mixed media on canvas
      140cm x 230cm (55" x 91")
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    • You speak of interval, 2025 mixed media on canvas 200cm x 320cm (79" x 126")
      You speak of interval, 2025
      mixed media on canvas
      200cm x 320cm (79" x 126")
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    • Rubicon (one), 2025 mixed media on canvas 160cm x 190cm (63" x 75")
      Rubicon (one), 2025
      mixed media on canvas
      160cm x 190cm (63" x 75")
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  • Richard Zinon
  • British painter Richard Zinon uses broad, gestural brush strokes to draw attention to the action of painting itself, placing this... British painter Richard Zinon uses broad, gestural brush strokes to draw attention to the action of painting itself, placing this...
    British painter Richard Zinon uses broad, gestural brush strokes to draw attention to the action of painting itself, placing this at the centre of his works. These movements across the canvas, reminiscent of Japanese calligraphy, succinctly transmit the pure action and energy of Zinon’s artistic process and the joy found in these acts of creation. Zinon uses a restricted palette, placing dark hues to explore the subtleties of light and colour. His large-scale, abstract paintings are devoid of figuration or complex reference. Through the direct but contained strength of the brushstrokes, Zinon conveys pure emotion.
    • Composition 38, 2025 oil on canvas 83cm x 63cm (33" x 24")
      Composition 38, 2025
      oil on canvas
      83cm x 63cm (33" x 24")
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    • Composition 39, 2025 oil on canvas 104cm x 164cm (41" x 65")
      Composition 39, 2025
      oil on canvas
      104cm x 164cm (41" x 65")
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    • Composition 24, 2025 oil on canvas 185cm x 290cm (73" x 114")
      Composition 24, 2025
      oil on canvas
      185cm x 290cm (73" x 114")
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    • Composition 33, 2025 oil on canvas 143cm x 113cm (56" x 44")
      Composition 33, 2025
      oil on canvas
      143cm x 113cm (56" x 44")
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    • Composition 36, 2025 oil on canvas 113cm x 83cm (44" x 33")
      Composition 36, 2025
      oil on canvas
      113cm x 83cm (44" x 33")
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    • Composition 37, 2025 oil on canvas 162cm x 133cm (64" x 52")
      Composition 37, 2025
      oil on canvas
      162cm x 133cm (64" x 52")
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    • Composition 35, 2025 oil on canvas 83cm x 123cm (32" x 48")
      Composition 35, 2025
      oil on canvas
      83cm x 123cm (32" x 48")
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    • Composition 34, 2025 oil on canvas 103cm x 83cm (40" x 33")
      Composition 34, 2025
      oil on canvas
      103cm x 83cm (40" x 33")
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  • Edoardo Dionea Cicconi
  • Edoardo Dionea Cicconi is an Italian contemporary artist working with installations, sculptures, sound and other media. Addressing universal themes often... Edoardo Dionea Cicconi is an Italian contemporary artist working with installations, sculptures, sound and other media. Addressing universal themes often...

    Edoardo Dionea Cicconi is an Italian contemporary artist working with installations, sculptures, sound and other media. Addressing universal themes often in an interactive way, he tries to find a synthesis between art and science, investigating the concept and perception of  'time’."Everything is interconnected. By studying the cosmos, we learn about anatomy, and the other way around. As an artist, my work is dedicated to expressing this concept within a timeless dimension."
    • XYZT Co27 S T Z, 2026 metal, oxidised grooved glass 190 x 20 x 50 cm (75” x 8” x 20”)
      XYZT Co27 S T Z, 2026
      metal, oxidised grooved glass
      190 x 20 x 50 cm (75” x 8” x 20”)
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    • 09

  • Andreas Diaz Andersson
  • Andreas Diaz Andersson is a Swedish-Mexican artist known for his distinctly meticulous minimalist abstractions. Andersson’s work is defined by a... Andreas Diaz Andersson is a Swedish-Mexican artist known for his distinctly meticulous minimalist abstractions. Andersson’s work is defined by a...
    Andreas Diaz Andersson is a Swedish-Mexican artist known for his distinctly meticulous minimalist abstractions. Andersson’s work is defined by a harmonious use of shapes and lines achieved through the use of textiles and different paint mediums such as acrylic, plasticolour and aerosol paint on cotton canvas.
    • Arrangement 14, 2025 cotton thread and acrylic on canvas 120cm x 160cm (63" x 47")
      Arrangement 14, 2025
      cotton thread and acrylic on canvas
      120cm x 160cm (63" x 47")
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    • Arrangement 15, 2025 cotton thread and acrylic on canvas 120cm x 160cm (63" x 47")
      Arrangement 15, 2025
      cotton thread and acrylic on canvas
      120cm x 160cm (63" x 47")
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    • Arrangement 17, 2025 cotton thread and acrylic on canvas 100cm x 150cm (39" x 59")
      Arrangement 17, 2025
      cotton thread and acrylic on canvas
      100cm x 150cm (39" x 59")
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