'Number 9 in numerology is powerful. It represents completion, but no final end. More like the fulfilment of one cycle so that you can prepare to initiate the next one. It is an affirmation of the constant ebb and flow of life.'
Richard's series of works embody a spacious field of compositions. The canvases display an ensemble of both solid and subtle marks, showing movements with powerful brushstrokes, either stretched out in the far or in more concentrated form. The compositions are drawn over warm undertones; the depth in the backgrounds is built up by many layers, creating the base of a lively and detailed structure, while still showing a lightness coming through the depth. There's always a breath of oxygen showing through the paint, creating a tone that does not end under the surface. It is reminiscent of stone and paper, landscapes, linen, aged documents, and deep skies. It is a play between solidity and airiness. A rush of energy is 'set in stone'; set in oil on linen, in Zinons work.
The power of the single energetic movement is celebrated on the canvases. Like a strike of a match, or a fast stroke of ink on paper; coming from a moment of very concentrated energy, Zinon almost tries to let go of the conscious mind while painting. These doubtless notes and strokes in black and umber remind of the energy that we carry within ourselves. There is a lightness in the movements, while with a strong will of expression, Zinon puts an accent on the moment that is the now.
